Wilhelm Kotarbinskyi
Wilhelm Kotarbinskyi was an artist who worked in the fields of monumental, monumental-decorative, and easel painting. He was a prominent representative of academicism and symbolism in painting. From 1886 to 1896, he worked on the murals of St. Volodymyr's Cathedral in Kyiv.
The artist was born in 1848 in Nieborów (now in Poland). After finishing high school in Warsaw, he studied at the Warsaw Drawing Classes from 1866 to 1869. Although he enrolled at the University of Warsaw, he did not complete his studies there.
In 1871, he entered the Accademia di San Luca in Rome, where he studied under Francesco Podesti and graduated in 1875 with a gold medal.
In 1885, Professor Adrian Prakhov, who was overseeing the interior decoration of St. Volodymyr's Cathedral, invited Kotarbinskyi to join the cathedral's mural project. From 1886 to 1896, he worked on these murals. Along with Pavlo Svedomskyi, he completed 18 large paintings and 84 individual figures.
After completing the cathedral murals, Kotarbinskyi continued to work in the field of monumental painting. He decorated palaces that now house prominent Ukrainian museums. He also took commissions from wealthy Moscow patrons and created religious images for churches in Belarus. In 1890, he became a member of the Southern Russian Artists' Union and was actively involved in Kyiv's cultural life.
During World War I, he published his drawings on postcards with propaganda images that called for support for soldiers' families. Wilhelm Kotarbinskyi spent his last years in Kyiv and passed away in 1921.
Artwork Details
- Location
- Sumy, Ukraine
- Dimensions
- 13.1cm x 196.5cm
- Years
- 1901
- Framing
- No framed
- Styles
- Medium
Description
This painting belongs to the collection of the Nykanor Onatskyi Regional Art Museum in Sumy.
Wilhelm Kotarbinskyi was always fascinated by phenomena on the borderline between reality and fantasy, as though born from dreams, materializing out of moonlight or mist. Mist, transforming into a poetic image or a terrifying spectacle, is one of the artist’s favorite themes.
In the 1890s, angels, vampires, and spirits of nature and death began to appear in his paintings. The artist was captivated by fantastic scenes and mystical visions. The figures illuminated in his works resemble dreams, visions that appear to the artist as if he is daydreaming, exuding elegance, delicacy, and a profound melancholy.
The painting "The Grave of a Suicide Victim" (1901) also embodies a mystical character. The mysterious depiction of nature in this work is alive, stirring, and fires the imagination. The eerie glow around a flower and the lush greenery on the grave, where a trickle of blood flows through, convey an ominous feeling.
The images created by Wilhelm Kotarbinsky are extraordinary and deeply aesthetic.
*Olga Plokhuta, Head of the Department of Scientific and Fund Work at the Nykanor Onatskyi Regional Art Museum in Sumy.
- Resolution
- 400 MPX
- Dimensions
- 23296x17472
- Medium
- DNG
- Device
- FUJIFILM
- Device model
- GFX100S
- Lense
- FUJIFILM
- Lense model
- GF63mmF2.8 R WR
- Color space
- Uncalibrated
- Color profile description
- 16 bit color depth, 281 Trillion Colors
- Metering mode
- Multi-segment
- F number
- 11
- Exposure program
- Manual
- Exposure time
- 0.3
- Focal length
- 63.0 mm
- Photographer
- Digital Original Studio
The Grave of a Suicide Victim
1901, Painting, Oil, Cardboard , Symbolism
Digitized using
in ultra-high resolution Digital Original artwork from original painting, authenticity and quality was verified by the gallery curators & artist.- Resolution: 400 MPX (23296 x 17472 px)
- Color depth:
16 bit 281 Trillion Colors
Original file size:
1383 MB DNG File