The Trees (The Left Part of the "Summer" Triptych)
1965, Painting, Oil, Cardboard , Avant-garde
This painting belongs to the collection of the Nykanor Onatskyi Regional Art Museum in Sumy.
The primary theme developed by Hryhorii Havrylenko over the years was the theme of life in nature and humanity, embodied in the image of a woman as the poetic essence of the world. These themes often evolved into unique series and cycles. As a result, works emerged with associative, painterly, and philosophical content.
The triptych "Summer" belongs to this category. To create a symbolic image, the artist employs a flat, decorative painting style. A limited palette of rich, greenish hues, applied to the canvas with energetic, layered brushstrokes, conveys the poetic beauty of nature as if smiling at the image of humanity. In this work, the heroine is depicted in the central part of the composition, serving as a symbolic vertical, the pillar of the world. Through this, the artist reveals the enduring unity of the physical and spiritual realms, as well as a unique interpretation of theme and narrative, both of which are symbolic.
*This information is taken from the website of the museum.
- Format Digital Original Standard
- Resolution 400 MPX
- Color depth
48 bit 281 Trillion Colors
Original file size
1478 MB DNG File
- Country Ukraine - Sumy
- Years 1965
- Styles
- Medium
- Physical canvas 35cm x 48cm
- Framing No framed
Hryhorii Havrylenko was a Ukrainian painter, graphic artist, and renowned master of book illustration. He was a prominent figure in the Ukrainian avant-garde art movement of the 1960s.
Summary of Hryhorii Havrylenko
The artwork of Hryhorii Havrylenko has been featured in numerous exhibitions, showcasing books, drawings, watercolors, and paintings since 1955. In his later years, he specialized in the technique of colored linocut.
Biography of Hryhorii Havrylenko
The artist was born in 1927. After the family's property was confiscated in 1930, they fled to Georgia. Later, his father was sent to a labor camp. Following these events, Hryhorii’s mother returned with the children to their native village, where they were given shelter. Eventually, the family resettled in Hlukhiv, Sumy region.
From 1945 to 1949, Havrylenko studied at the Taras Shevchenko Kyiv State Art School, and from 1949 to 1955, he studied first in the painting department and later in the graphics department of the Kyiv Art Institute.
In the early 1960s, he briefly taught at the Kyiv Art Institute, but soon was dismissed for ideological reasons. Havrylenko’s art was truly versatile. He worked in easel painting, easel, and book graphics, creating landscapes and portraits.
He participated in republican, all-Union, and international art exhibitions from 1955 onward, including exhibiting in Leipzig in 1965. Solo exhibitions were held in Kyiv in 1974 and 1980.
The artist’s death occurred in 1984.
Hryhorii Havrylenko’s Famous Paintings: Exploring the Masterpieces
The artist worked in various art fields, including easel painting and book graphics. Additionally, he illustrated over 30 books. Hryhorii Havrylenko’s original paintings include a lot of works, such as “The Image of the Girl” (1964), "Summer" Triptych (1965), “Sea Shore” (1967), “Landscape” (1969-1970), “Composition” (1974), and many more.
The artist's works are preserved in the Sumy and Lebedyn Art Museums, the Sixtiers Museum, and private collections. Havrylenko’s paintings for sale are available on the UFDA website.
Hryhorii Havrylenko’s Art Style
In the 1960s, Hryhorii’s painting oeuvre expanded to include several abstract works, or as he referred to them, "non-objective" pieces, primarily using tempera and oil on cardboard. During this period, he was also highly active in book illustration, creating graphics for Panas Myrnyi’s novel Chipka, which faced harsh criticism.
In 1965, a collection of Dante’s works, Vita Nova, featuring Havrylenko’s illustrations, was published. For this project, the artist created numerous pen-and-ink drawings, striving to capture the idealized images of Dante and Beatrice. Notably, he may have been the first to employ a new drawing technique known as the grid.
In the 1980s, the artist ceased creating major works during his later years. However, in 1981–1982, he produced a significant series of abstract watercolors and a pastel series, where his impressions of specific landscapes were transformed into universal abstract imagery.
- Resolution
- 400 MPX
- Dimensions
- 23296x17472
- Medium
- DNG
- Device
- FUJIFILM
- Device model
- GFX100S
- Lense
- FUJIFILM
- Lense model
- GF120mmF4 R LM OIS WR Macro
- Color space
- Uncalibrated
- Color profile description
- 48 bit color depth, 281 Trillion Colors
- Metering mode
- Multi-segment
- F number
- 11
- Exposure program
- Manual
- Exposure time
- 1/4
- Focal length
- 120.0 mm
- Photographer
- Digital Original Studio