Interaction, Synergy, Taction in Movements of the Workers

2019, Painting, Acryl, Canvas, Pastel , Contemporary

This is a Digital Original of the artwork, digitized using the process. Each DO is verified, blockchain-secured, and comes with full rights for exclusive digital ownership.

In the painting, much like in Mannerist compositions, all human figures are depicted with rather distorted anatomy—elongated limbs and heavily modified proportions. Each body seems to have a complex and uncomfortable pose, and the reverse perspective contributes to the feeling of instability. Yet, together, the characters create a well-balanced compositional harmony, where the movement becomes the central point of attention rather than the bodies themselves.

Sokolova came up with the motive of the choreography of the labour while working in a theatre hall, where she observed and collected the service staff's repeating, energy-efficient movements as they went about their tasks. By composing the movements together, the artist transforms the everyday routine actions into a metaphorical dance of the workers where each, by performing their part, contributes to a synergical and harmonious whole.

Valeria Schiller

Art historian, writer, and curator of contemporary art

Digital original details

Format
Digital Original Standard
Resolution
400 MPX
Color depth
48 bit 281 Trillion Colors
Original file size
1601 MB DNG File

Physical original details

Country
Ukraine
Years
2019
- Styles
  - Contemporary
- Medium
Physical canvas
215cm x 200cm
Framing
No framed

Alina Sokolova

Alina Sokolova is a Ukrainian artist focused on the repetitive actions of contemporary labor, the concepts of care and carrying, and the increasing mechanization of daily life.

Summary of Alina Sokolova

Alina Sokolova is a multidisciplinary artist with a rich academic background. Sokolova's paintings often address animal-human relationships, leisure, productivity, consumption, and mass choreography phenomena in digital media. Recognized for her innovative approach, she was shortlisted for the Pinchuk Art Centre Art Prize in 2020.

Biography of Alina Sokolova

The artist was born in Uzhhorod, Ukraine, in 1995. Her artistic journey began with studying Visual Arts in Uzhhorod, followed by specializing in sculpture and installation at the Academy of Fine Art and Design in Bratislava, Slovakia. She further expanded her practice with photography as a guest student at HFBK in Hamburg, Germany, culminating in her graduation from the Academy of Fine Arts in Vienna, Austria, in 2021.

Alina Sokolova's original paintings have been featured in numerous group exhibitions across Europe, including at New Jörg Art Space in Vienna, Koridor Art Space in Uzhhorod, Michaela Stock Gallery in Vienna, Municipal Art Centre in Lviv, Museum of Art in Zilina, among others.

Selected solo and group shows of Sokolova's famous paintings include “Motherland” (2023), “RAW” (2022), “Der Kompass ist nutzlos” (2021), “Heracleumfall” (2019), “Anatomy of river smuggling” (2018), and many more.

Currently, the artist lives and works in Austria.

Alina Sokolova’s Famous Paintings: Exploring Movement

Alina Sokolova’s art includes numerous paintings. In her works, figures seamlessly intertwine, their joints, hands, and legs merging and flowing together with choreographed fluidity—yet never disrupting the clarity or harmony of the composition.

Her famous pieces include “Chess Players” (2021), “Egan Pub” (2021), “Horses in TikTok” (2021), “Horses Losing Tails” (2021), “Woman with a Hairbrush” (2021), among others.

Alina Sokolova’s Art Style

Alina Sokolova examines movements that have become common property and are a testament to their time and the ever-changing social climate. Her paintings address themes such as animal-human cohabitation and care, leisure, productivity, consumption, and the phenomenon of mass choreography in the age of digital media.

As she explained, humans are always at the center of her paintings. She described the coexistence, synergy, and interaction of people, as well as the spontaneous choreography of their bodies—whether conscious or not—as something that continuously captures her interest.

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