UFDA Grows Its Digital Archive with Artworks by Alina Zamanova

Anna Cherevko

Anna Cherevko

June 15, 2026
3 min read

UFDA Grows Its Digital Archive with Artworks by Alina Zamanova

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Ukrainian Fund of Digitized Art welcomes a new artist to its roster — Alina Zamanova! We are happy to announce that we have digitized 13 of her works, which are now preserved in the highest possible quality.

About Alina Zamanova

Born in 1993 in Kryvyi Rih, Ukraine, Alina Zamanova currently lives and works in Kyiv. She holds a BA (Hons) in Illustration from the University of the Arts London, completed in 2015. Since the beginning of Russia's full-scale invasion of Ukraine, her artistic practice has taken on a direct and urgent engagement with the realities of war, responding to shared conditions of violence and displacement.

Working with painting and sculpture, Zamanova documents shifting everyday realities shaped by invasion — disrupted routines, altered landscapes, and fractured forms of belonging. Her works have been presented internationally, including exhibitions in London, Berlin, Brussels, Mechelen, Los Angeles, New York, Hamburg, and Kyiv. In 2025, she participated in the Tracey Emin Residency in Margate, UK.

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Day 156 of Full-Scale War (2022) by Alina Zamanova. Digitized by UFDA Studio 

In the ongoing series "Days of Full-Scale War" (since 2022), Zamanova creates self-portraits using Ukrainian soil, treating the land as a material witness that absorbs personal and collective wartime memory. The installation "Children" (2022-2024) is built around a damaged window frame found during evacuation and features painted portraits of Ukrainian children, transforming the window into a fragile threshold of trauma, loss, and endurance.

The painting "Our Children Are Fighting Too" (2022) addresses the abrupt rupture of childhood caused by war, honoring children forced to flee, endure displacement, or lose their sense of safety. Other significant works by Alina Zamanova include "Pressure of Memories" (2023), "The New Reality" (2023), "Through the Hardships till the Light is Visible" (2024), "Fading Memory" (2025), and "After" (2025), which explore how violence reshapes perception, memory, and everyday reality.

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The New Reality (2023) by Alina Zamanova. Digitized by UFDA Studio

Alina Zamanova’s Art Style

Zamanova's visual language is marked by attentiveness to material, surface, and space. Her works avoid overt narration, allowing meaning to emerge through subtle shifts, traces, and absences, while landscape functions as a bearer of memory and evidence.

Rather than depicting events directly, Zamanova creates spaces for reflection where personal and collective experiences intersect. As part of a generation of Ukrainian artists shaped by war, her work offers a quiet but persistent engagement with loss, endurance, and the responsibility to witness the present.

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