March in Chornoholovye Village

Ernest Kontratovych (1912–2009) was a Ukrainian artist and one of the founders of the Transcarpathian School of Painting.

The artist belongs to the second generation of classics within the Transcarpathian painting tradition. Kontratovych’s paintings are distinguished by their poetic quality, which is reminiscent of folk songs. The artist's works are held in museums and private collections both in Ukraine and abroad.

The artist was born on May 17, 1912. He studied at a seminary in Uzhhorod, where he was trained as a teacher. Simultaneously, he attended a private studio, the "Public School of Drawing," where his instructors were the legendary Yosyp Bokshai and Adalbert Erdeli.

In 1932, as a graduate of the seminary, he began working as a teacher in rural folk schools throughout the region.

Starting in 1933, he participated in exhibitions organized by the Society of Fine Arts Figures.

He was one of the organizers and the first Chairman of the Transcarpathian Regional Branch of the National Union of Artists of Ukraine (starting in 1946).

Personal exhibitions of his work were held in Kyiv in 1974 and 2001, and in Uzhhorod in 2002 and 2007.

Ernest Kontratovych passed away in 2009 in Uzhhorod, where he is buried.

The artist was a true bard of the Ukrainian landscape and a master of genre compositions. His well-known works include "View from the Polonyna (Mountain Pasture)," "Mallows," "The Last Snow in the Mountains," and "The Blessing of the Water."

His artworks are preserved in many museums across Ukraine. The largest collection is held within the funds of the Zakarpattya Regional Art Museum.

UFDA has digitized two of Ernest Kontratovych’s original works: "The End of Winter" and "March in Chornoholovye Village." These canvases are now preserved forever in an online archive and are available for viewing in high resolution on the foundation's website.

The artist worked within Realism and Expressionism. To sidestep the obligatory creation of thematic works in the Socialist Realism style, he focused primarily on landscape painting as his main genre.

His central themes revolved around poverty and death, the rituals and everyday life of the highlanders (Verkhovyntsi), as well as the mythology and mystical world of the Carpathians.

The early artwork of Kontratovych featured spring and autumn landscapes alongside rural motifs. A major milestone in his artistic development was a series of genre paintings with both social depth and poetic sensitivity. These works depicted pilgrims, beggars, and people with disabilities—the marginalized world of Verkhovyna’s inhabitants, toward whom the artist felt deep empathy and compassion.

With the establishment of Soviet rule, his thematic focus shifted. After 1945, his art increasingly reflected optimistic depictions of folk traditions, labor, and, most prominently, landscapes.

In his genre compositions, Kontratovych developed a distinctive decorative structure, marked by the rhythmic flow of smooth, horizontal, wave-like lines.