UFDA's Articles: Insights into Ukraine's Art and Culture 97

In a world where images increasingly replace reality, Danylo Kovach's art navigates the fine line between truth and its imitation. His works offer no straightforward answers — instead, they create situations in which the viewer is compelled to determine what is real. From an exhibition in Zaporizhzhia exploring information and manipulation to the Viennese project "THE SUN Will Soon Appear," this conversation spans multiple dimensions of artistic practice: from family memory to the experience of forced displacement, from working with material to reimagining it entirely.

The UFDA Podcast episode with Iryna iSky is a conversation about how war, art, and personal memory can exist in parallel and amplify one another.

In this episode of the UFDA Podcast, host Anna Avetova speaks with artist Nina Murashkina — known for her distinctive erotic imagery, ceramic goddesses and "magic feminism."

Ukrainian Fund of Digitized Art (UFDA) is proud to announce the latest addition to its roster: Amaliia Komyz.

In new episode of the UFDA Podcast, host Anna Avetova speaks with photographer and visual artist Artem Humilevskyi — author of the series GIANT and Roots, winner of international awards, and one of the most striking voices of a new sincerity in Ukrainian photography. 

Ukrainian Fund of Digitized Art (UFDA) has officially expanded to include the works of Olena Shtepura. 

UFDA continues its mission to preserve the country’s creative legacy. We are excited to announce that artist Taras Haida is the latest addition to our online archive.

In Kateryna Lysovenko's painting, the body becomes a site where personal experience meets grand history. Her works bring together a feminist perspective, religious imagery, and a political reflection on violence, war, and human nature. In this conversation, the artist speaks about the differences between art education in Ukraine and Austria, working within an international context, the transformation of her artistic language after 2022, and why it is important for her today to "paint vulnerability".