Iryna iSky: Between War, Myth, and Memory

Anna Avetova

The UFDA Podcast episode with Iryna iSky is a conversation about how war, art, and personal memory can exist in parallel and amplify one another.


Anna Avetova

The UFDA Podcast episode with Iryna iSky is a conversation about how war, art, and personal memory can exist in parallel and amplify one another.


Anna Avetova

In this episode of the UFDA Podcast, host Anna Avetova speaks with artist Nina Murashkina — known for her distinctive erotic imagery, ceramic goddesses and "magic feminism."


Anna Cherevko

Ukrainian Fund of Digitized Art (UFDA) is proud to announce the latest addition to its roster: Amaliia Komyz.


Anna Avetova

In new episode of the UFDA Podcast, host Anna Avetova speaks with photographer and visual artist Artem Humilevskyi — author of the series GIANT and Roots, winner of international awards, and one of the most striking voices of a new sincerity in Ukrainian photography.


Anna Cherevko

Ukrainian Fund of Digitized Art (UFDA) has officially expanded to include the works of Olena Shtepura.


Anna Cherevko

UFDA continues its mission to preserve the country’s creative legacy. We are excited to announce that artist Taras Haida is the latest addition to our online archive.


Lesia Liubchenko

In Kateryna Lysovenko's painting, the body becomes a site where personal experience meets grand history. Her works bring together a feminist perspective, religious imagery, and a political reflection on violence, war, and human nature. In this conversation, the artist speaks about the differences between art education in Ukraine and Austria, working within an international context, the transformation of her artistic language after 2022, and why it is important for her today to "paint vulnerability".


Lesia Liubchenko

У живописі Катерини Лисовенко тіло стає місцем зустрічі особистого досвіду і великої історії. Її роботи поєднують феміністичну оптику, релігійну образність і політичну рефлексію над насильством, війною та людською природою. У цій розмові художниця розповідає про різницю між мистецькою освітою в Україні та Австрії, про роботу в міжнародному контексті, про зміну власної художньої мови після 2022 року і про те, чому сьогодні для неї важливо "малювати вразливість".
